Presentation Script, Public Address Conference 2022:
NCA Infrastructure Panel paper/script 11.15.22
Books
Painting Publics: Transnational Graffiti Scenes as Spaces for Encounter, Temple University Press. 2019. eISBN: 978-1-4399-1446-5.
Articles
““River of Words as Space for Encounter: Contested Meaning in Rhetorical Convergence Zones,” Quarterly Journal of Speech, Published online September 23, 2019. https://doi.org/10.1080/00335630.2019.1664756
“Crossing Borders, Building Solidarity: Affective Labor in Shaping Coalitional Murals” (co-authored with Elise Homan), Women’s Studies in Communication, (2018) https://doi.org/10.1080/07491409.2018.1502224.
“Public art, affect, and radical negativity: the wall of daydreaming and man’s inhumanity to man,” Subjectivity, (2017): 1-19, doi:10.1057/s41286-017-0023-0.
“Tour Treize: From Precarity to Ephemerality,” GeoHumanities, (2016) http://dx.doi.org/10.1080/2373566X.2016.1234352.
“’How Philly Moves’: From Urban Branding to Kinesthetic Sympathy through an Aesthetic of Blur,” Text & Performance Quarterly, (October 2016): 115-136, http://dx.doi.org/10.1080/10462937.2016.1202441.
“Challenging National Borders and Local Genre Forms: Declaration of Immigration as Volatile Cultural Text”. Public Art Dialogue 6, no. 2 (2016): 206-227, http://dx.doi.org/10.1080/21502552.2016.1205398.
“Episode III: Enjoy Poverty: An Aesthetic Virus of Political Discomfort.” Communication, Culture & Critique 9, no. 5 (2015): 175-321. DOI: 10.1111/cccr.12109.
“The Balaclava as Affect Generator: Free Pussy Riot Protests and Transnational Iconicity.” Communication and Critical/Cultural Studies 12, no. 1 (2015): 42-62, DOI: 10.1080/14791420.2014.989246.
“The Controversy at Rockefeller Center: Phantom Publics, Aesthetic Barbarians,” Advances in the History of Rhetoric 17, No. 1 (2014): 65-75, DOI: 10.1080/15362426.2014.886931.
“Public Surfaces Beyond the Great Wall: Communication and Graffiti Culture in China”- Invisible Culture 15 (2010): online.
“Texturing Space, Emplacing Gender: Claudia Mendez’s “Constructing History, Constructing Identities”, In Conversation and Commentary Forum. Women’s Studies in Communication 39, No. 2 (2016): 147-152, DOI: 10.1080/07491409.2016.1176793.
Chapters
“Por un Instituto de Graffiti Legal: Desde Programas Temporal, Efímero, y Politizado Hacía Una Plataforma Durable de Aprenizaje, Creación, y Empoderamiento,” In Propuestas Para León Elecciones 2018. David Mendizibal Martínez, ed. León, GTO: D.R. Promoción de la Cultura y la Educación Superior del Bajío, A.C., PROCESBAC, 2018.
“Modalities of Publicity: Leon’s City of Murals Project” in Inopinatum. The unexpected impertinence of Urban Creativity, edited by Luca Borriello, Christian Ruggiero, Salerno, Italy: ArtiGraficheBoccia, 2013.
Short Pieces/Public Facing
“Hemispheric Conversations: Exploring Links between Past and Present, Industrial and Post-Industrial through Site-Specific Graffiti Practice at the Carrie Furnaces,” Contemporaneity, Vol 7, 2018, pp. 17-26. http://contemporaneity.pitt.edu/ojs/index.php/contemporaneity/article/view/236
“Lo Internacional, the International as Horizon for Legal Graffiti in Mexico,” Mediapolis Journal, GLOBAL PUBLIC ART, NO. 2, VOL. 3
“Ser Humano/Ser Urbano, How Urban Art in Mexico Became a Carrier for So-Called Universal Values,” Mediapolis Journal, Global Public Art, No. 4, VOl. 2, November 6, 2017. http://www.mediapolisjournal.com/2017/11/ser-humano-ser-urbano/.
“The Speed of Power, the Pace of Protest: Resistant Urban Rhythms,” Mediapolis Journal, From the Editors’ Desk, No. 1, Vol. 2, February 6, 2017. http://www.mediapolisjournal.com/2017/02/pace-of-protest/.
“No Cities to Love: The Urban as Population, Not People, ” Mediapolis Journal, FROM THE EDITORS’ DESK, NO. 1, VOL. 2
“Marginality, Publicity, Movement and Spectacle: Juxtaposing Circus and Graffiti Aesthetics,” Sixty Inches from Center Magazine, Margins, June 18, 2014. http://sixtyinchesfromcenter.org/magazine/urban-acrobatics/